My title may be a bit misleading. “Religious fiction” usually means a specific literary genre which is overtly Christian and conservatively evangelical. I suppose stuff like Touched by an Angel was religious fiction. I don’t mean it in that way, but I can’t really think of another phrase. My basic point is that The Last Jedi is, and reminds the audience that Star Wars has always been, about a speculative, magico-religious way of life. I’m talking about the Force, of course. TLJ isn’t just about Force-users; it’s about Force-believers. And it is totally necessary for this movie to investigate the ideas underlying this religion in Star Wars.
In this second post, I’ll be writing some more about the magic in the Cattle Raid of Cooley. Last time I wrote about Cúchulainn’s evocation of the waters, as well as the other elements, to help defend a ford from invaders. This time I want to write about when Cúchulainn nearly dies and a fairy comes to help him.
What follows is a transcription of the picture above. In the best sort of magical exploratory way, I wrote through a difficulty contextualizing the Christian figure of Christ in magic. Most deities are specific in their roles. Christ is less so.
I’ve been struggling for years to get back into writing creative stuff — by that I mean poetry, fiction, so on. A friend once said I was one of the most prolific writers he knew, even though he is the most prolific writer I know. I tell you that to tell you this: since I finished my MFA I have completed maybe three short stories, and no poems. Or rather, every so often I will write a poem in the margin of a book or in a journal, but I never consider making it public in some way. This blog post serves as a companion, a non-fiction piece accompanying this poem. You should read it, but you can read this post first if you’d prefer. Or the poem. There’s no set order or anything, is what I’m saying.