Some sporadic thoughts about A Wrinkle in Time

So did you see A Wrinkle in Time? You should do that, if you haven’t. I’m not going to tell the joke about you going and doing that, because it would take a while, but if you haven’t, consider it something to do. I wanted to write something about the film and the book, since I basically grew up on the latter. In a couple of odd ways, the film is actually better.

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On adaptation

Someone I follow on Twitter (whose account is locked, so I won’t quote them or call them by name, I hope that’s OK) was complaining about a recent adaptation. Again, I’ll be vague, but basically they were annoyed that the adaptation didn’t really bring anything new to the table. I think that’s worth thinking about some more, as I basically agree.

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Good Travels, Ms. Le Guin

So on Tuesday, Ursula K. Le Guin died. Here’s the NYT article about it. If you aren’t familiar with her work, but still read fantasy or science fiction, you’re familiar with her impact. As I told someone yesterday: she may have been 88, but she seemed like she would just always be there. She’d been writing since nearly my lifetime before my life started, if you follow me.

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Reading as Triangulation

You ever wonder how reading actually works? I don’t mean the most fundamental kind of reading — you know, looking a word and knowing what it means. However, there’s actually not much difference between the two kinds of reading. What I do mean is the kind of reading where you finish a poem and you know what it meant — not what it said, but what it meant. I find my students often don’t know the difference. So I’m pretty good at explaining it. I thought it might be interesting to talk about it. At a simple level, the way you read a poem is the way you read a tarot card or a painting or a situation. It’s all about triangulation.

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Deathly Hallows tarot spread

I thought I’d write up something a little more practical. What’s more practical than a tarot spread, right? A lot of things, I suppose, but never mind that now. I was fiddling with my cards a few days ago and decided that the Deathly Hallows, from Harry Potter, would make a good set of interlinked images to build a spread on.

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Tolkien, Modernist

It’s not actually a revolutionary idea to suggest Tolkien is a modernist, but it’s still so counter to everything he said and tried to do that it’s worth blogging about. And, anyway, today was the Autumnal Equinox — or the Evenlength, if you like words derived from Middle English (ȝevelengðhe). It’s also Bilbo and Frodo Baggins’s birthday, so I started re-reading The Lord of the Rings. As one does. And I was reminded of the whole modernist thing by his poetry of all things.

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End of Time, End of Anxiety

I just finished re-reading Moorcock’s Dancers at the End of Time. I may actually prefer the End of Time to the Elric stories, in that they suit my temperament much more. Elric was instrumental in my formative years, so I’ll never not think of those stories as some of my favorites, but — along with my personal preference — everyone talks about Elric. What about Jherek Carnelian?

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